As I’ve noted before, I wrote/transcribed/edited/washed dishes/consulted for a (now-defunct) online Christian music magazine in the mid-to-late 1990s. My first interview was with Carolyn Arends, who had just signed with Reunion and was about to go on tour opening for Rich Mullins. It started as a live online chat with about 30 “on-lookers” (this was 1995, so that was bleeding edge), followed by a phone call and a couple emails. All in all, Carolyn probably gave us about 3 hours of her time, less than a month before she had to leave her hubby behind for the tour. Pretty gracious, if you ask me.
Originally, I was supposed to be on an airplane, returning from a business trip, on the Friday night that Rich’s tour was to hit Atlanta. So my wife and I bought tickets for the next night’s show in Birmingham. After buying the tickets, but before the interview with Carolyn, my trip got cancelled. When I talked to Carolyn on the phone, she offered me tickets and all-access passes for the Atlanta show. Needless to say, I took her up on her offer.
We picked up the tickets/passes at will-call about 30 minutes before the show. Being uncharacteristically adventurous, I decided I’d try to press my luck and see how “all” access these passes really were. We found a door with a taped-up “No Admittance” sign, and walked through it. Turned out to be a meet-and-greet with Rich for the Christian bookstore employees who had helped promote the show. No one turned us away, so we stuck around.
Rich wound up talking to our little group for 15 minutes before the show, all through Carolyn’s act, and most of the way through Ashley Cleveland’s set (the other opener). At one point, a stage hand came out and said “Mr Mullins, 20 minutes til you’re on”. Rich thanked him and resumed talking. This was repeated at 15 minutes and 10 minutes. After the guy left at the 10-minute mark, Rich looked down at his ratty t-shirt and cut-off khakis, and said, “He probably thinks I’m going to change before going out there.”
(He did change a bit. He kicked off his sandals before going on-stage.)
With about 5 minutes to go, Rich excused himself, and actually did have to get ready to go on. The other folks went into the auditorium to watch the show. I looked at my wife, shrugged, and we followed Rich backstage. When it was clear that no one was going to stop us, my wife leaned in and said, “I like your new hobby.”
After 2 songs in Rich’s set, Carolyn spotted us and came over. I had a copy of the interview with me and gave it to her. She was delighted at the length (as I’ve noted before, the lack of size restrictions online let us print in-depth interviews rather than the half-page stuff that print journals were doing).
Then she dropped the bomb. Not being familiar with the venue, she asked, “How’s the sound out there?” After a bit of hemming and hawing, I admitted that we missed her whole act because we were talking to Rich. But I quickly assured her that we’d be in the audience in Birmingham the next night.
And we were. And it was good. And she was great.
Been thinking about this from a number of angles for quite a while. Now it’s time to shoot off my mouth.
As you may know, Phil Vischer, creator of VeggieTales, has moved on to other things. Well, he still works on VT, but more in a consulting role. But he has started a new creative shop, 